in the grasses
is an annual publication series seeking works that specifically address performance's ability to transcend political and geographical limitations. This series investigates within and without boundaries of genre while focusing on works whose poesis involves the transformation of the social, often involving the collaborative in their production. These works are printed as a limited edition saddle-stitched pamphlet, and also published as pdfs.

The editor would like to thank Judith Goldman and the Gray and McNulty Chairs of the Poetics Program at SUNY — University at Buffalo, for their support of this project.



 


::04 Manifesto on Translations of Hospitality by Sondos Zaghari, Christin Alhalabi, Rajnesh Chakrapani
Limited-edition saddle-stitched pamphlet, available for pre-order, to order to a copy email delivery instructions to whathappenswhathappens@gmail.com


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::03 water signatures by Dana Venerable, 2022 [pdf] 
Limited-edition saddle-stiched pamphlet, available for pre-order to order a copy please contact whathappenswhathappens@gmail.com 

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::02 a meditation on intimacy and collapse by Joey Yearous-Algozin, 2022

[pdf] this title is out of stock

[audiobook+] read by Rainer Diana Hamilton, layered with “tracing back the radiance” by jefre cantu-ledesma

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::01 ECLIPSE by Amelia Bande, with Ignacio Perez and Javier Riveros, et al. 2021

[pdf] this title is out of stock

Limited-edition saddle-stiched pamphlet, available for pre-order to order a copy please contact whathappenswhathappens@gmail.com 

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All pamphlets are available free of charge. To order please send inquiries to whathappenswhathappens@gmail.com 

"This type of connection is internal interruption
Erupting horizons 
Stretch your arms and sight and see
How far you’ve come
How far you’ve gone
Recognize what you’ve always needed
If you still hold your stress
Hold your head high
Soar like all the air
Signs signal mindless behaviors 
Caress the calmest second of your life
Release dramatics and drudgeries 
Make for yourself what you have been missing" 

water signatures, Dana Venerable

"here and now is simply
a place of waiting
and in this way
each case is terminal
but waiting can assume its own contours 
and geography
motionless and still 
suggesting a shape to the sloping land 
that falls away from your resting body
in the same way that
say 
a red winged blackbird’s presence in the grass 
surrounding a retention pond
at the back of a parking lot of a half-built subdivision
articulates the larger field around it
as it rises up
taking flight"

a meditation on intimacy and collapse, Joey Yearous-Algozin

[Excerpt:]

Bambi: If I close my eyes I can still hear the crunch of his bones and all the screams. The tear gas truck was there and this kid came out running out of nowhere and the cops didn’t stop, they went faster. He was run over. ppl were screaming, throwing rocks, I was frozen, I didn’t know what to do, I saw it from faraway cos I was scared that the tear gas truck was going to run over me too. I went home, my legs trembling the whole time.